Digital Prints Series (ASCII)
What’s an array in visual framework
An array of visual frames occurs within the vertical axis and the horizontal position imposed by the third axis of the conjecture of furtherest distances before the viewer portal of visual axiom.
A short burst of visual in 5 points approach with a 3 ways lighting system (XYZ)
Visual flares of light vs. shadow directly indicate the sequence of cast-shadow in monotone matter of black & white images. The background of darkest indication of flats and layer of darkest region within the image proceed to fill the reflective index of colour and non-colour composition in long shots and open view wide shot. Opposite of induce layering of the composite, medium pixel or fractal.
Axiom if intentional composed, multiple level and lay of camera angles can consideration for parametric architectural cinemascope by the vibration and shock on the pressure of camera’s outer edges to allow more lighting reflective balance.
Digital Prints Series A
When pattern of multiple tracks are equally in a spatial range, the cut and paste technics are dividing the complete unique arrangement mode.
And then if the cut up technics is instead division by spatial parts and equal as a whole complete pieces as information, the levels of sounds are in turn visually act as an imitation on the core of complexity, sound is designed via a complete whole piece of information and briefly accompanied by layers of percussion, individualized spatial nodes. In visuality, when the programme are cutting away from the main units of temporal sequence, the smoke screening element is bassline effects and drum sequences. Without having to further understand the structural whole and the uniquely placement of elementary sound nodes or effect transformations. Only without speeding up or slowing down the visual principles or visuals in the spatial bridging of sequencing, the medium of the visual is by far not mapped with the tempo or the BPM. Instead we are reaching the capacities of theme, metadata and principle design from virtual dialogue in the analogies of spatial construct of symmetry, signifier of the signify. A simple of visual graphic is transformation over rotation [R/t=1] and then however the pathological condition of spatial converted source and pattern are universally experimental, if architectural theory is approaching the ground conditions throughout the range of the connectivities of Architectural elements are graphic and the sound projection are data ranges, whatever is systematic in trigger transformation of visualisation thoughts, the principle rearrangements of the shape and number, are completely intensive movement of interruption of quadrant and Pi’s generative equalities and endlessly randomizing or repeating….
Applicate particle luminous sound of illumination from significated principle of design and elements of numerous strands taboo. In shaping the language of physicality in vision forming modernism and historic of mythicism, we are not changing characterization, and either if creator are generalized in Space with tactical unit or grouping of movement time definitely film developed in oneiric motion language.
